“The main thing that ever helped mothers was other people mothering them; a chain of mothering that keeps the whole shebang afloat.” -Anne Lamott

This one went to my amazing friend Alana. My son was scandalized that I sent her mail with nudity. Ah, 8.

“When we’re with people who bring out our essential selves, our words flow effortlessly, the energy is positive, we tell funny jokes, people laugh. There’s a sense of complete understanding that comes from being on the same wavelength with two essential selves.” –Martha Beck

My friend Cynthia came for a visit with her adorable son, and while the boys played in the pond (frogs! newts!) Cynthia decided to give me a long-desired painting lesson. She’s an amazing artist (this is one of my favorite of her paintings; the colors of the forsythia are so incredible in real life) and has been telling me for months she’d help me learn to put paint on paper, something that absolutely TERRIFIES me. (This is not a rational fear. This is not even an articulated fear, meaning, I don’t have words I can put it into. But paint scares the shit out of me.) When she arrived, as it happened, I had paint out for the Babe, who was busily painting a rock she found by the pond, and, oh, her entire body. Cynthia, bless her, jumped in. She painted the Babe’s picture, the Babe painted hers, and then she directed me to get a piece of paper and a brush for myself. She set up a still life, and started teaching. I was so irritable, and tense, and not particularly gracious about the enormous gift I was being given. By the end of what felt like hours but was probably only 45 minutes, I had a semi-lucid portrait of a papaya, and a headache. I felt like I’d been run through a mangle.

I was so visibly on edge that I felt terrible for my friend; I couldn’t even fake ease, so stressed was I by the paint everywhere (The Babe had taken to pouring it out on the paper, applying to her legs, and so on), the sudden appearance of my mom, who is incredibly supportive of my artistic efforts but through no fault of her own makes me feel like I’m a big fraud, and my own anxiety at how hard it was to process and replicate patterns of light and shadow and color. In the end, I produced something that, from a good distance away, looked plausibly like its subject. I will try again. But meanwhile, I love working in the ultra-forgiving, cut and paste world of mixed media collage.

The piece above arrived at my friend Hilary’s today. She is all heart, all woman, all breathless living-with-a-capital-L, and I love her. She and Cynthia, I realized tonight, remind me of one another;  though they are so different,too, they share a quality of creative passion that I treasure.

Mailed week of May 10, 2010

“Confront the dark parts of yourself, and work to banish them with illumination and forgiveness. Your willingness to wrestle with your demons will cause your angels to sing. Use the pain as fuel, as a reminder of your strength.” –August Wilson

I am feeling particular grateful lately for the absence of pain, for moments of grace, for friends and family and love and joy. So I’m making stuff. That image above is the first piece of mail art I’ve ever made, or mailed. I sent it to my friend Suzi, a fellow student in my collage class who inspires me every week with her persistence, her creativity, her freedom. It’s a bit literal for me, something I tend to avoid, but I thought Suzi would like it, and it’s a powerful theme for our class, for her recent art exhibit with our teacher, and, let’s face it, for pretty much every woman I know. So if being on the nose makes me a hack, so be it.  I made another piece tonight to send to a friend who’s in a hard place. I realized that as much as like making stuff for me, I don’t know what to do with it when it’s done. Making something to release into the wild is much, much more fun. I think there might be a project brewing. Stay tuned.

I don’t usually have much interaction with the anthroposophist (Rudolf Steiner devotées) communities which abound in this area. I like the people, usually, very much, but the dogma is too heavy for me. Camphill is a Steiner project that cares for developmentally disabled adults in a village setting, where they live and work side by side with normally-abled adults and their families. Its presence here (about 10 miles from my house) means that we often see the residents out and about, which I think is a great thing for my kids, and for me. (In California, I now realize, I almost never saw disabled adults, and rarely children. Where were they?)

Anyway, the people at Camphill tend an herb garden and make wonderful teas (really, tisanes) with lyrical names like Douceur de Fete (one of my favorites.) They also make the prosaically named Tea for Colds, which seems to actually help. So, with my head stuffed and snotty with a cold, I made myself a cuppa just now, using my newest (non-local) fave acqusition, my Tea Stick. (Pricey, but genius. If you drink loose leaf tea, get one.) And I poured the nearly-boiling water into my favorite new mug (one thing you may not know about me is that for years now, I’ve been searching for the perfect mug. It’s more challenging than you might think, but I think the search is over.) My mug was made by a potter/friend down the road who gave it to me in exchange for using my home as a location for a photo shoot for her new website. So my soothing tea was in my perfect mug, which soothes the palm of my hand in addition to holding my medicinal tea, and I thought: this is all from right.here. If I had a younger horse (and, let it be said, was a better rider) I could get to both of them in an afternoon. And that thought just made me so happy that I live in this random, odd, lovely place.

Meanwhile, last night I made a discovery that also has everything to do with where I live and what I do here, and it also made me shiver with quiet joy.

Mary Oliver is one of my favorite contemporary poets, but I only recently discovered this work of hers. To make it even better, I found it on a work of art made by my teachers and friends Karen Arp-Sandel and Suzy Banks Baum. If you live near me, check out their collaborate mail art show, Femail, at the Berkshire Art Kitchen.

Praying

It doesn’t have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just
pay attention, then patcha few words together and don’t try
to make them elaborate, this isn’t
a contest but the doorwayinto thanks, and a silence in which
another voice may speak

~ Mary Oliver